"Mr. Bee Takes Some Friends For A Ride" by Lesley Spanos. Acrylic painting on Ampersand Aquabord, 7" x 5". Copyright ©2012 Lesley Spanos, all rights reserved.

These two little friends are enjoying the Bumble Bee Bop, my favorite carnival ride.

Here’s how I paint yellow in acrylics:

Most acrylic yellows are semi-transparent and don’t cover other colors well, but they have a nice sunny glow if applied thinly over pure white. So if I have a painting with a lot of yellow in it, I’ll start with a thin yellow wash over the entire white surface. Then I carefully preserve the yellow areas by painting around them. If I make a mistake in a yellow area, I’ll first paint the mistake out with white paint, then go over that with transparent yellow.

"Mr. Bee Poses For His Portrait" by Lesley Spanos. Acrylic painting on Ampersand Aquabord, 7" x 5". Copyright ©2012 Lesley Spanos, all rights reserved.

I don’t know why I love the Bumble Bee Bop so much. I guess part of the reason is because these guys are always cheerful, and just so darn cute.

Then there’s pure artistic admiration. The designers managed to create believable personalities from basic shapes that remind me of a giant billiard ball stacked on top of a giant yellow golf ball. The simplest designs can be the most effective! These bees have no moving parts – the head doesn’t turn, and the arms are stationary – yet from every angle they present a different expression. Sometimes it’s “Ta Da!” or “Peace, brother.” This one’s my favorite, the humble “Oh, gosh, you want to paint little ol’ me?” look.

There’s a new Angry Birds theme park in Finland. Their version of the Bumble Bee Bop features the Big Brother bird from the game. Too cute!

"The Hunter" by Lesley Spanos. Acrylic painting on Ampersand Aquabord, 5" x 7". Copyright ©2012 Lesley Spanos, all rights reserved.

His prey drive is off the charts. He’ll hunt relentlessly, even in knee-deep January snows, stalking small animals until he has icicles growing on his whiskers. He’s the King of the Back Yard, but indoors, he’s just our big, cuddly boy.

"The Ancient One" by Lesley Spanos. Acrylic painting on Ampersand Aquabord, 5" x 7". Copyright ©2012 Lesley Spanos, all rights reserved.

Only Miss Lish knows the secrets behind the scars on her ancient face, and she’s not telling. At age sixteen, she has the mug of a battered boxer, nose dented and one eye in a permanent squint. Perhaps she broke her face diving for cover under a piece of furniture, or maybe her former owner accidentally shut her head in a door. I shudder to think about the pain her injuries must have caused her.

What she lacks in beauty, she makes up for with her wisdom and kindness. She came to live with us in her retirement years, after a lifetime of caring for her elderly owner. She shows her appreciation by gathering gifts at night, leaving them at the foot of my drawing table. It’s so cool to go into the studio in the morning and discover a neat pile of stuffed mice on the exact spot where I stand to paint. Fortunately, she doesn’t have access to live critters, so I don’t have to experience the horror of finding dead mice or snakes.

"Blind Side" by Lesley Spanos. Acrylic painting on Ampersand Aquabord, 7" x 5". Copyright ©2012 Lesley Spanos, all rights reserved.

He’s not really blind, just blinded by blinders. Trainers put all sorts of interesting contraptions on these harness race horses so they won’t get distracted by things – real or imagined – during a race. Some setups look like they were cobbled together with baling wire.

This one is posted in the Daily Paintworks Up Close Animal Challenge created by artist Taryn Day

"Chomp, Chomp" by Lesley Spanos. Acrylic painting on Ampersand Gessobord, 6" x 8". Copyright ©2012 Lesley Spanos, all rights reserved.

Artist Carol Marine says in her Daily Paintworks Horsing Around Challenge  that she and her family woke up one morning while camping in Missouri to see this horse grazing near their tent. She snapped a photo of the scene, and posted it for artists to interpret.

I’m not a relaxed camper. If I heard a “chomp, chomp, chomp” from inside a tent in the early morning hours, I’d freak out. What else could it be but the Langoliers?

"18" by Lesley Spanos. Acrylic painting on Ampersand Gessobord, 16" x 20". For personal use only, not for sale. Copyright ©2012 Lesley Spanos, all rights reserved.

The Superbowl has come to Indianapolis, and to commemorate it, I present my first football painting, ever! I’ve always longed to paint the game, but the NFL is extremely protective of their rights (as they should be), so that’s a line I’ve never crossed.  I’m able to take my camera into games, so I have hundreds of tempting references I can’t use. If you’re an artist, you know how frustrating that can be. Finally, this week, I decided I’d go ahead and do a painting, just for me. I think it’s okay as long as I don’t sell it. I hope. NFL lawyers, if I’m wrong, kindly email and I’ll smash it to bits for you.

Number 18 is the Indianapolis Colts’ Peyton Manning, one of the greatest quarterbacks, ever. He’s more than just a sports celebrity to the city of Indianapolis. He’s a civic-minded hero who has done great things for our city. He won’t be playing in the Superbowl on Sunday, but he’s on everyone’s minds as he tries to regain top form after surgery on his neck. We wish you the best, Peyton, and hope to see you around Indy for many years to come.

"It's What I Eat For Breakfast" by Lesley Spanos. Acrylic painting on Ampersand Aquabord, 5" x 7". Copyright ©2012 Lesley Spanos, all rights reserved.

The idea for painting breakfast comes from Carol Marine’s Paint Your Breakfast Challenge on Daily Paintworks. For me, breakfast is the same every morning: 4% fat cottage cheese mixed with freshly ground flax seed and a variety of oils  – flax, hemp, fish, and coconut. I like the stuff, but my husband can barely choke it down, so for his sake we top it with berries.

A few in-progress images archived along the way:

"Portrait of a Parisian Waitress" by Lesley Spanos. Acrylic painting on Ampersand Gessobord, 14" x 18". Copyright ©2011 Lesley Spanos, all rights reserved.

I couldn’t resist painting  a portrait of this lovely waitress from a photo taken by artist/photographer/traveler/blogger Lee Brown. Lee generously lends some of his travel photos to artists in the context of his ADNW painting challenges. Participants get one month to submit their interpretations of his image.  There’s some cool stuff already posted. Go see it here.

I don’t know what I liked more – the quality of the light, or the shape of her hair and all those wispy tendrils. Both were tons of fun to paint.